Big Fish Audio - Haunted Ground - Ambience & FX from Abandoned Places, by Adam Pietruszko
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Haunted Ground

Ambience & FX from Abandoned Places, by Adam Pietruszko
Haunted Ground - Ambience & FX from Abandoned Places, by Adam Pietruszko
Style:
Sound Design/FX
Related Styles:
Ambient , and Cinematic
$69.99
$69.99
INCLUDED FORMATS:
Acid, EXS24, HALion, WAV, Kontakt, NNXT, Logic Sampler
  Please make a selection above
QUICK DETAILS:
  • Loops
  • Sounds
  • Sound FX

 

Haunted Ground is an avant-garde sound library inspired by the unique character of abandoned places. The structures that man left to crumble as time ticks away, now brought to life in this collection of samples. Created by sound designer Adam Pietruszko specializing in visual and aural documentation of forsaken buildings, to provide you with the atmosphere and spirit of these forbidden locations. This library took a year to plan, prepare and record. Carefully choosing locations as recording sites and inspiration was taken from countless photographs, schematics and abandoned structure history resources.

The mood of abandoned factories, warehouses and installations has been recreated via means of analog and digital synthesis, along with the sounds captured on-site via field recording, to bring you closer to the exploration, all properly mangled and warped, for that particular eerie feeling.

The sounds of this library give insight into the afterlife of these seemingly dead and quiet buildings. For beneath the rubble, rust and peeling paint, there lies another dimension. The ghosts of workers and inhabitants roam the rooms, halls, corridors and attics, longing for the life that had been taken away from their homes. The machines, furnaces and tools remember their duties, but their shift is over. Delve in the echoes of the past and explore their legacy and hidden nature.

This library is aimed at cinematic and game sound producers, looking to bring a touch of reflection, suspense and nostalgia into their works. Also a contemporary electronic musician will find many inspiring sounds to exploit.

All sounds have been captured in 24-bit, 48kHz audio and are split into 4 categories, for easy construction of your own custom abandoned places sound scenes.

The categories and gear used in the recordings are as follows:

Entities and Spirits – eerie sounds of ghosts and lost souls, for that haunted feeling. You'll find chants, drones and atmospheres as well as numerous sweeps and whines. Most of these sounds were created using a semi-modular analog synth setup (Moog Little Phatty Tribute Edition Serial No. 1165 with CV Out Mod, a collection of Moog Moogerfooger analog effects + WMD Geiger Counter digital wave-shaping distortion unit).

Forsaken Technologies - sounds of the abandoned machines, tools, installations, etc for inducing an industrial atmosphere. Contains drones, harsh electrical/electronic noises, explosions, piercing stingers etc. Created using a mix of digital and analog synthesis.

Exploration Echoes – field-recorded and processed sounds taken during exploration to bring (un)real atmosphere to the piece. Some of the sounds were also created using junk and scrap metal in the studio and then warped and mangled with pitch-shifting, modulation effects and reverb.

Forgotten Atmospheres - assorted moody and nostalgic effects including sweeps, textures, hits and other effects to provide background for your track. These were done with all the above-mentioned techniques and gear.

All of the sounds were recorded in 24-bit 48kHz into Apple Logic Pro using a Focusrite PRO 24DSP audio interface. Field recording performed with Sony PCM-M10.

ABOUT THE AUTHOR:

Adam Pietruszko is a sound designer, audio engineer, electronic musician and synthesis teacher. His trademarks are avant-garde electronic atmospheres and effects. He is the creator of KNOBZ.NET, a place for experimental electronica, synthesizers and abandoned places. Adam's background is music for picture, creation of soundbanks for hardware and software synthesizers and all things related to new timbres and sounds.

The library contains over 650 samples in Acidized Wav and AIFF Apple Loop file formats all recorded in stunning 24bit audio. Kontakt, EXS24, HALion and NN-XT instruments are also included. All the samples in this library are 100% original and royalty-free for your musical use without any additional licensing fees.
Product Details:

- 652 Acidized WAV files
- 652 AIFF Apple Loops
- 751 Kontakt Instruments
- 751 EXS24 Instruments
- 751 HALion Instruments
- 751 NN-XT Instruments


Download Sizes


Version Compressed Download Size
 
Logic Sampler/NNXT/EXS24/HALion/Kontakt/WAV/Acid Download includes
  Haunted Ground Full:  1.31 GB

*When ordering the download product from Big Fish Audio you will be given one or more links for each of your product purchases. The links will be active for 24 hours. During this time you should download the file and expand it. You can return to your Big Fish Audio account at any time and download your products. You will find your products in the "My Products" area of your account page.



License Agreement


The Following End User License Agreement is included with Haunted Ground. This License is only valid for the individual who has purchased an unopened, new and lawfully made copy of Haunted Ground from a dealer or distributor authorized by Big Fish Audio.

"ZERO-G LICENSE AGREEMENT 1. The sound samples included on this product remain the property of Zero-G Limited and are licensed, not sold, to you for use on your sampling software or equipment. 2. A right to use the enclosed sounds is granted to the original end-user of the product (Licensee) and is NOT transferable. 3. The Licensee may modify the sounds. and MAY USE THE SOUNDS FOR COMMERCIAL PURPOSES WITHIN MUSICAL COMPOSITIONS, subject to section 7 below. 4. This license expressly forbids resale, relicensing, or other distribution of these sound samples, either as they exist on the enclosed discs, or any modification thereof. You cannot assign, lease, lend, rent, upload or download to or from any database or server, or transfer any or all of the sound samples to another user, or use them in any competitive product. 5. Licensor will not be responsible if the sound samples do not fit the particular purpose of the Licensee. The sound samples are licensed 'as is' without warranties of any kind. Neither the Licensor, or any distributor of Licensor's products, can be held responsible for any direct, indirect, or consequential loss arising from the use of any sound samples licensed from Zero-G Limited in whatever form. 6. The Licensee may use these sound samples for Foley and sound FX in TV or movie soundtracks, video game soundtracks, gaming machines, or toys, but Licensee may not re-distribute the sounds as sounds, multi-sounds, samples, multi-samples, programs or patches – meaning the Licensee cannot re-sell them as part of a sound sample library of any kind thereby effectively competing against Zero-G. Note also that use of the sound samples in isolation in video game soundtracks, gaming machines, or toys where they appear in isolation or as sound effects as part of a music game or remixing game is not permitted without first obtaining a separate written License (subject to availability) from Licensor. 7. Use of the sound samples in 'library music' (also known as 'music libraries' or 'production music'), which is intended for commercial exploitation by relicensing to multiple third parties, is permitted PROVIDED that the samples are used within a musical context and are not presented isolated or 'solo-ed'. The sound samples must be used 'in combination' within musical compositions. For such usage, any rhythm loop samples (which Zero-G regards as being musical clips in themselves) must also be combined with other types of samples or sounds to effectively form a new composition, rather than simply being looped in isolation."


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