Big Fish Audio - Beats Working in Cuba - Over 4GB of utterly authentic Latin percussion
Skip to content
 

50% Off Top Loops & Instruments! Save Big In Our Summer Sale! Shop Now

50% Off Top Loops & Instruments!
Save Big In Our Summer Sale! Shop Now

Zero G + Zero G Classics

Beats Working in Cuba

Over 4GB of utterly authentic Latin percussion
Beats Working in Cuba - Over 4GB of utterly authentic Latin percussion
55% off
Style:
Percussion Loops
Related Styles:
World/Ethnic , Instrument Loops , and Latin
Now $39.15
$86.99 $39.15
INCLUDED FORMATS:
WAV, Kontakt
  Please make a selection above
QUICK DETAILS:
  • Loops
  • Sounds

NOTE: Use of the Kontakt .nki instrument patches requires a FULL version of Kontakt

Beats Working in Cuba is the first complete and utterly authentic library of Latin percussion performances recorded entirely in Havana, Cuba, featuring the country's very finest players, and presented in multitrack format to provide the user with complete flexibility in both tempo and the selection of instruments. The styles covered include the 12 prime Afro/Hispanic rhythms of the Cuban music culture, including: Cha Cha Cha, Danzon, Son Montuno, Bolero, Pilon, Son Traditional, Guajira Son, Guaracha, Mambo, Songo, Timba, Conga Habanera (Carnival), and Conga Moderna. There are also additional variations in some of the performances to enable the user to select Modern or Traditional arrangements.

The producers, Barry Sage and Gonzalo Lasheras Garcia, are well known in the Latin field, with credits including Jorge Drexler, Luis Edurdo Aute, Silvio Rodreguez, Duncan Dhu, Esclarecidos, La Oreja de Van Gogh, Melon Deisel, Mariela and Solar. They were assisted in Havana by Raphael Santos and Marisol Alfonso Perez. The performances are provided with each instrument separated out.

Users of NI KONTAKT or NI INTAKT please note: the library is presented complete with instrument (.nki) patches. Use of the Kontakt .nki instrument patches requires a FULL version of Kontakt. If you only have "Kontakt Player" you will only be able to load them in a 'demo mode'. The instruments playing in each groove were miked separately and each mic output sampled. The resulting multi-track loops can be automatically synced to tempo via Beat Machine or Time Machine controls. The Beat Machine programming has loops divided into their individual hits (slices). Each instrument (i.e. every track!) of each loop is sliced - which means any combination of instrument loops can be played at a wide range of tempos without change in pitch or audio quality. This degree of flexibility is UNRIVALLED in any other percussion loop library we know of. It also allows you to give each hit individual settings for pitch, playback direction, pitch envelope, amp envelope, distortion, delay, and more.
Download Includes:
- Bolero
- Cha Cha Cha
- Conga Habanera
- Conga Moderna
- Danzon
- Guajira Son
- Guaracha Son
- Mambo
- Pilon
- Son Montuno
- Son Traditional
- Songo
- Timba


Download Sizes


Version Compressed Download Size
 
Kontakt/WAV Download includes
  Part 1:  2 GB
  Part 2:  2 GB
  Part 3:  47.8 MB
  RAR Unarchive Instructions:  6.8 MB

*When ordering the download product from Big Fish Audio you will be given one or more links for each of your product purchases. The links will be active for 24 hours. During this time you should download the file and expand it. You can return to your Big Fish Audio account at any time and download your products. You will find your products in the "My Products" area of your account page.



License Agreement


The Following End User License Agreement is included with Beats Working in Cuba. This License is only valid for the individual who has purchased an unopened, new and lawfully made copy of Beats Working in Cuba from a dealer or distributor authorized by Big Fish Audio.

"ZERO-G LICENSE AGREEMENT 1. The sound samples included on this product remain the property of Zero-G Limited and are licensed, not sold, to you for use on your sampling software or equipment. 2. A right to use the enclosed sounds is granted to the original end-user of the product (Licensee) and is NOT transferable. 3. The Licensee may modify the sounds. and MAY USE THE SOUNDS FOR COMMERCIAL PURPOSES WITHIN MUSICAL COMPOSITIONS, subject to section 7 below. 4. This license expressly forbids resale, relicensing, or other distribution of these sound samples, either as they exist on the enclosed discs, or any modification thereof. You cannot assign, lease, lend, rent, upload or download to or from any database or server, or transfer any or all of the sound samples to another user, or use them in any competitive product. 5. Licensor will not be responsible if the sound samples do not fit the particular purpose of the Licensee. The sound samples are licensed 'as is' without warranties of any kind. Neither the Licensor, or any distributor of Licensor's products, can be held responsible for any direct, indirect, or consequential loss arising from the use of any sound samples licensed from Zero-G Limited in whatever form. 6. The Licensee may use these sound samples for Foley and sound FX in TV or movie soundtracks, video game soundtracks, gaming machines, or toys, but Licensee may not re-distribute the sounds as sounds, multi-sounds, samples, multi-samples, programs or patches – meaning the Licensee cannot re-sell them as part of a sound sample library of any kind thereby effectively competing against Zero-G. Note also that use of the sound samples in isolation in video game soundtracks, gaming machines, or toys where they appear in isolation or as sound effects as part of a music game or remixing game is not permitted without first obtaining a separate written License (subject to availability) from Licensor. 7. Use of the sound samples in 'library music' (also known as 'music libraries' or 'production music'), which is intended for commercial exploitation by relicensing to multiple third parties, is permitted PROVIDED that the samples are used within a musical context and are not presented isolated or 'solo-ed'. The sound samples must be used 'in combination' within musical compositions. For such usage, any rhythm loop samples (which Zero-G regards as being musical clips in themselves) must also be combined with other types of samples or sounds to effectively form a new composition, rather than simply being looped in isolation."


Back to top
history
clear list
opener
close