Big Fish Audio - Don Goliath - Reggae & Dubstep Acapellas - Authentic Jamaican style vocals by true Reggae and Dancehall legends
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Don Goliath - Reggae & Dubstep Acapellas

Authentic Jamaican style vocals by true Reggae and Dancehall legends
Don Goliath - Reggae & Dubstep Acapellas - Authentic Jamaican style vocals by true Reggae and Dancehall legends
Style:
Reggae
Related Styles:
Electronica / EDM , World/Ethnic , Vocal , and Dubstep
$38.74
$38.74
INCLUDED FORMATS:
EXS24, HALion, WAV, Kontakt, NNXT
  Please make a selection above
QUICK DETAILS:
  • Sounds

 

Loopmasters are very proud to present Don Goliath's Reggae and Dancehall Acapellas - the first of series of authentic Jamaican style vocals by true Reggae and Dancehall legends with full song vocal stems ready to remix and drop into your productions including intros, verses, choruses, backing vocals and harmonies plus a useful collection of ready chopped shouts and phrases.

Vol. 1 kicks off with the amazing vocal talents of Lone Ranger, Nigger Kojak, Trinity, Prince Jazzbo and Jr Tiger together with Chorus sections and Harmonies by Don Goliath himself.

Recorded at 140 Bpm these Vocal Stems are perfect for not only Reggae or Dancehall producer s but also suitable for remixing into Underground, Dubstep, Urban and HipHop productions.

In Detail expect to find 384Mb of 24Bit 44.1khz long vocal stems from 5 Tracks including, 19 Stems and 22 Shouts from Lone Ranger, 23 Stems and 22 Shouts from Kojak Nigger, 21 Stems and 25 Shouts from Trinity, 20 Stems and 21 Shouts from Prince Jazzbo and 18 Stems and 13shouts from Jr Tiger.

All the stems have been exported dry and clean, allowing you to add your favourite plugins and FX avoiding over processed vocal performances. Each Stem is clearly labelled making it easy to re assemble the full arrangement and all stems are bounced to full bars for easy alignment in your Digital Workstation.

Don Goliath
Don is a talented singer and producer working in the Dubstep scene with many releases to under his belt from 2007 to the current date and only one of a privileged few Dubstep producers who have had the opportunity to work with the top Jamaican artists. His Silky Vocals have been heard on many tracks and can be heard throughout the chorus sections of this sample collection.  To Date Don has worked with singers and Mc's such as Absorb, Rankin Joe, Chuck Fender, Junior Demus and Producers such as 6Blocc, Alien Pimp, Subversive amongst many others.

Lone Ranger
Born Anthony Alphanso Waldron, Jamaican Reggae Deejay Waldron spent much of his youth in the United Kingdom and began his recording career with Clement "Coxsone" Dodd's Studio One label. He initially worked as a duo with Welton Irie, but soon began recording solo, having a big hit in Jamaica with "Love Bump". He also worked on the Virgo Sound sound system.

He had a number one UK reggae chart album in 1980 with Barnabus Collins. He is regarded as one of the most lyrically inventive deejays of his era, and was a major influence on British deejays of the early 1980s. He relocated to the United States in the mid-1980s, but returned to Jamaica in 1998, and began performing on sound systems once again.

Nigger Kojak
Kojak real name Floyd Anthony Perch began his career under the name Pretty Boy Floyd, deejaying on various sound systems. Taking inspiration from Telly Savalas' TV character, Kojak, Perch changed his stage name to Nigger Kojak, shaving his head and often appearing with Kojak's signature lollipop. He had a local hit with his debut single, "Massacre", and after featuring on Dennis Brown's "Ain't That Loving You" single with "Hole In De Bucket", along with a female singer, as Kojak and Liza. Kojak was one of a number of deejays who shifted the emphasis from 'cultural' chants to pure 1980s dancehall chat. The success of Kojak and Liza led to the track "Nice Up Jamaica" (actually a Perch solo outing, on the "Real Rock" rhythm) being endorsed by the Jamaican tourist board.

Trinity
Born in 1954, Brammer initially worked under the name Prince Glen, but soon after began working under the stage name Trinity, taken from the spaghetti western character. After working as a deejay on several Kingston sound systems, he made his debut recording in March 1976 with "Set Up Yourself" for producer Joseph Hoo Kim. "Words of The Prophet" followed for Yabby You, who also produced his debut album, Shanty Town Determination. Late in 1976, he joined up with Dillinger for the "Crank Face" single, and the Clash album, produced by UK-based producer Clement Bushay. 1977 saw the deejay in great demand, recording more than 20 singles for a variety of producers, including Winston Riley, Tommy Cowan, Joe Gibbs, and Yabby You, his biggest hit coming with "Three Piece Suit" for Gibbs, featuring Trinity toasting over a new version of Alton Ellis's "I'm Still In Love With You" rhythm, with a lyric that anticipated the move from 'cultural' lyrics to more material/carnal concerns of the dancehall era.

Prince Jazzbo
Prince Jazzbo real name Linval Roy Carter began recording with Coxsone Dodd's Studio One label in the early 1970s. He went on to work on his own releases with Bunny Lee, producing as well in collaboration with many artists as a vocalist and producer for labels including his own, Ujama. His best work was probably done in collaboration with legendary producer Lee "Scratch" Perry. The seminal recording Super Ape featured Jazzbo toasting on "Croaking Lizard", one of the most distinctive reggae songs made. The murky sounds coming from Black Ark studio and the Upsetters were unlike anything else being done on the island. Prince Jazzbo and fellow toaster I-Roy had a well reported, but friendly and mutually beneficial on-record clash during 1975, including the cuts "Straight to Jazzbo's Head" from I-Roy and the retort, "Straight to I-Roy's Head" from Prince Jazzbo.

Jr Tiger
Raised in the United States by Jamaican parents, Jr. Tiger recorded his first song aged 14 with Sammy C. Davis, on the King Barvel Label-"Missing You." With his trade mark bandanna, hat and glasses he started DJ-ing at parties on sound systems such as: Addies International, Spectrum, Techniques, Rode International and many more.  He founded "Living Room" record label andhas performed all over the Us and Uk with reggae greats such as: Shabba Ranks, Super Cat, Jr. Demus, John Holt, Frankie Paul, Trevor Sparks, Pinchers, Jr. Cat, Wolfman, Luciano, Anthony B, Shine Head, Nadine Sutherland, and including a clash with Lady Saw in Orlando Florida.

This is your chance to get your hands on some truly authentic Jamaican Reggae and Dancehall vocals by the some of the genres best known artists, so check out the demo tracks to see how they sound in a full productions and sample Don Goliath Presents Reggae and Dancehall Acapellas Vol. 1 TODAY!
Tech Specs:
- 384Mb
- 24Bit 44.1khz
- long vocal stems from 5 Tracks
- 19 Stems and 22 Shouts from Lone Ranger
- 23 Stems and 22 Shouts from Kojak Nigger
- 21 Stems and 25 Shouts from Trinity
- 20 Stems and 21 Shouts from Prince Jazzbo
- 18 Stems and 13shouts from Jr Tiger


Download Sizes


Version Compressed Download Size
 
NNXT/EXS24/HALion/Kontakt/WAV Download includes
  ZIP:  190.7 MB

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License Agreement


The Following End User License Agreement is included with Don Goliath - Reggae & Dubstep Acapellas. This License is only valid for the individual who has purchased an unopened, new and lawfully made copy of Don Goliath - Reggae & Dubstep Acapellas from a dealer or distributor authorized by Big Fish Audio.

"The Sounds remain the property of its manufacturer and/or Loopmasters Limited. (Collectively, "Licensor") and are licensed to you as the original end-user ("Licensee"), for use subject to the provisions below. All rights not expressly granted herein are reserved exclusively by Licensor. (A) The Sounds in a category of 'Sample Pack': The Licensee may use the Sounds in combination with other sounds in music productions (which include soundtracks of such as films, video productions, radio/TV programs or commercials, computer games and multimedia presentations, library music), public performances, and other reasonable musical purposes within musical compositions. The Licensee may modify the Sounds and may use the Sounds for commercial purposes as part of a musical composition with other sounds. The licensee MAY NOT use the Sounds in isolation as sound effects or as loops (i.e. a sequence of musical events or any competitive products that are sold or relicensed to multiple third parties. 2. A right to use the sounds is granted only to the licensee and is not transferable. 3. The license expressly forbids resale, relicensing or other distribution of the Sounds, either as they exist or any modification thereof. You cannot sell, loan, rent, lease, assign, upload to or download from any server, or transfer all or any of the enclosed sounds to another user, or for use in any competitive product. 4. Licensor will not be responsible if the sounds does not fit the particular purpose of the Licensee. PLEASE NOTE: This is a general license which covers all Loopmasters products, it may not apply to products from other labels that are represented at loopmasters.com - If in doubt please email us or contact the label directly."


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