Perception - Cinemascapes is a vast collection of construction kits, atmospheres, drones, evolutive moods, beat loops, whooshes, hits, impacts, explosions, and lots more. It can be used in many different film genres as well as for TV soundtracks, advertising, games and dance music.
Perception contains over 650 instruments in EXS24, Kontakt and NN-XT format as well as Acidized Wav files and Apple Loops all recorded in stunning 24bit by one of the world's leading soundtrack producers using high fidelity source materials and a large-soundstage production approach. These stunning sounds will help you create highly charged emotional mood narratives that generate the perspective of a certain time and space.
From cinemascapes of staggering beauty to impacts of shocking horror and violence and everything in between this sample library is full of musical ideas which can be used as building blocks to add a third dimension to your musical compositions.
In addition, the 35 construction kits contain all their individual components which can be combined to create your own unique arrangements and compositions.
Perception contains over 650 instruments in EXS24, Kontakt and NN-XT format as well as Acidized Wav files and Apple Loops all recorded in stunning 24bit by one of the world's leading soundtrack producers using high fidelity source materials and a large-soundstage production approach. These stunning sounds will help you create highly charged emotional mood narratives that generate the perspective of a certain time and space.
From cinemascapes of staggering beauty to impacts of shocking horror and violence and everything in between this sample library is full of musical ideas which can be used as building blocks to add a third dimension to your musical compositions.
In addition, the 35 construction kits contain all their individual components which can be combined to create your own unique arrangements and compositions.
Includes:
- 600 Acidized WAV files
- 600 AIFF Apple Loops
- 650 Kontakt Instruments
- 650 EXS24 Instruments
- 650 NN-XT Instruments
*When ordering the download product from Big Fish Audio you will be given one or more links for each of your product purchases. The links will be active for 24 hours. During this time you should download the file and expand it. You can return to your Big Fish Audio account at any time and download your products. You will find your products in the "My Products" area of your account page.
- 600 Acidized WAV files
- 600 AIFF Apple Loops
- 650 Kontakt Instruments
- 650 EXS24 Instruments
- 650 NN-XT Instruments
Download Sizes
| Version | Compressed Download Size |
| Logic Sampler/NNXT/EXS24/Kontakt/Apple Loops/WAV/Acid Download includes | |
| Part 1: 2 GB | |
| Part 2: 2 GB | |
| Part 3: 1.37 GB | |
| RAR Unarchive Instructions: | |
*When ordering the download product from Big Fish Audio you will be given one or more links for each of your product purchases. The links will be active for 24 hours. During this time you should download the file and expand it. You can return to your Big Fish Audio account at any time and download your products. You will find your products in the "My Products" area of your account page.
License Agreement
The Following End User License Agreement is included with Perception - Cinemascapes. This License is only valid for the individual who has purchased an unopened, new and lawfully made copy of Perception - Cinemascapes from a dealer or distributor authorized by Big Fish Audio.
"ZERO-G LICENSE AGREEMENT 1. The sound samples included on this product remain the property of Zero-G Limited and are licensed, not sold, to you for use on your sampling software or equipment. 2. A right to use the enclosed sounds is granted to the original end-user of the product (Licensee) and is NOT transferable. 3. The Licensee may modify the sounds. and MAY USE THE SOUNDS FOR COMMERCIAL PURPOSES WITHIN MUSICAL COMPOSITIONS, subject to section 7 below. 4. This license expressly forbids resale, relicensing, or other distribution of these sound samples, either as they exist on the enclosed discs, or any modification thereof. You cannot assign, lease, lend, rent, upload or download to or from any database or server, or transfer any or all of the sound samples to another user, or use them in any competitive product. 5. Licensor will not be responsible if the sound samples do not fit the particular purpose of the Licensee. The sound samples are licensed 'as is' without warranties of any kind. Neither the Licensor, or any distributor of Licensor's products, can be held responsible for any direct, indirect, or consequential loss arising from the use of any sound samples licensed from Zero-G Limited in whatever form. 6. The Licensee may use these sound samples for Foley and sound FX in TV or movie soundtracks, video game soundtracks, gaming machines, or toys, but Licensee may not re-distribute the sounds as sounds, multi-sounds, samples, multi-samples, programs or patches – meaning the Licensee cannot re-sell them as part of a sound sample library of any kind thereby effectively competing against Zero-G. Note also that use of the sound samples in isolation in video game soundtracks, gaming machines, or toys where they appear in isolation or as sound effects as part of a music game or remixing game is not permitted without first obtaining a separate written License (subject to availability) from Licensor. 7. Use of the sound samples in 'library music' (also known as 'music libraries' or 'production music'), which is intended for commercial exploitation by relicensing to multiple third parties, is permitted PROVIDED that the samples are used within a musical context and are not presented isolated or 'solo-ed'. The sound samples must be used 'in combination' within musical compositions. For such usage, any rhythm loop samples (which Zero-G regards as being musical clips in themselves) must also be combined with other types of samples or sounds to effectively form a new composition, rather than simply being looped in isolation."
"ZERO-G LICENSE AGREEMENT 1. The sound samples included on this product remain the property of Zero-G Limited and are licensed, not sold, to you for use on your sampling software or equipment. 2. A right to use the enclosed sounds is granted to the original end-user of the product (Licensee) and is NOT transferable. 3. The Licensee may modify the sounds. and MAY USE THE SOUNDS FOR COMMERCIAL PURPOSES WITHIN MUSICAL COMPOSITIONS, subject to section 7 below. 4. This license expressly forbids resale, relicensing, or other distribution of these sound samples, either as they exist on the enclosed discs, or any modification thereof. You cannot assign, lease, lend, rent, upload or download to or from any database or server, or transfer any or all of the sound samples to another user, or use them in any competitive product. 5. Licensor will not be responsible if the sound samples do not fit the particular purpose of the Licensee. The sound samples are licensed 'as is' without warranties of any kind. Neither the Licensor, or any distributor of Licensor's products, can be held responsible for any direct, indirect, or consequential loss arising from the use of any sound samples licensed from Zero-G Limited in whatever form. 6. The Licensee may use these sound samples for Foley and sound FX in TV or movie soundtracks, video game soundtracks, gaming machines, or toys, but Licensee may not re-distribute the sounds as sounds, multi-sounds, samples, multi-samples, programs or patches – meaning the Licensee cannot re-sell them as part of a sound sample library of any kind thereby effectively competing against Zero-G. Note also that use of the sound samples in isolation in video game soundtracks, gaming machines, or toys where they appear in isolation or as sound effects as part of a music game or remixing game is not permitted without first obtaining a separate written License (subject to availability) from Licensor. 7. Use of the sound samples in 'library music' (also known as 'music libraries' or 'production music'), which is intended for commercial exploitation by relicensing to multiple third parties, is permitted PROVIDED that the samples are used within a musical context and are not presented isolated or 'solo-ed'. The sound samples must be used 'in combination' within musical compositions. For such usage, any rhythm loop samples (which Zero-G regards as being musical clips in themselves) must also be combined with other types of samples or sounds to effectively form a new composition, rather than simply being looped in isolation."