Big Fish Audio - Ambient - Over 470 MB of stunning ambient sounds by Ian Boddy
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Zero G

Ambient

Over 470 MB of stunning ambient sounds by Ian Boddy
Ambient - Over 470 MB of stunning ambient sounds by Ian Boddy
Style:
Ambient
$43.99
$43.99
INCLUDED FORMATS:
Acid, WAV, Kontakt, Refill
  Please make a selection above
QUICK DETAILS:
  • Loops
  • Sounds

 

This huge library features the combined contents of both of the original Zero-G AMBIENT sample libraries (AMBIENT Volume 1 and AMBIENT Volume 2) - Over 470 Mb of stunning sounds produced by highly acclaimed British electronic musician IAN BODDY. There's a fantastic array of dreamy NN19 atmospheric and FX patches for use in ambient dance, trance, film soundtracks or futuristic/ spacey/ trance music of all kinds. Combining the hypnotic charms of Jarre, Floyd, Tangerine Dream and so on with current dance trends, "Ambient" is designed to mellow you out with relaxing washes, laid back rhythms and awesome sound effects. Includes Acidized WAV, Reason Refill, Reason NN19, and Kontakt formats.

IAN BODDY used an impressive inventory of analogue and digital synths to create these well organised samples, including Roland System 100m, SVC3 vocoder, JD990, Korg Wavestation, EMS VCS3, Memorymoog, PPG Wave, and Oberheim Matrix 6 and 12. There are digital drones, pads and effects (all very lush stereo) conjuring up deep space hyperdrives through sinister alien landscapes, etc. A beautifully realised sound palette, the effects really are are as good as you get - smooth, long, ring modulators, digital cascades and arpeggios, filter sweeps of just about every denomination, computer tone bursts, gong sustains, synthetic winds, computer FX (like Kraftwerk c.1975), low drones and sweep-downs, mysterious machinery, anharmonic arpeggios, electronic noise bursts, tubular bells, tasty vocoder loops, etc.

"Ian Boddy is one of sampling's true innovators and this release set the standard for others to follow. Despite quite a few similar products having been released since, Ambient continues to hold its own, and even after all this time the pads and textures still sound as fresh and exciting as they did when it first came out. An extremely versatile release suitable for techno, soundtrack, relaxation or just plain weird music that is a glowing testament to Ian's love of all things analogue and his attention to detail in effects processing. -- Paul Farrer (SOUND ON SOUND magazine, UK)
- Over 470 MB of content

- In addition to providing the whole library within a single Reason Refill file, this package also provides all the samples separately as Reason NN19 patches and ACIDized WAV files, so this version of the Ambient library can also be used with any software that can import WAV data. Kontakt instrument files are also included for use with any full version of Kontakt.


Download Sizes


Version Compressed Download Size
 
Kontakt/Refill/WAV/Acid Download includes
  Ambient Download:  845 MB
  RAR Unarchive Instructions:  6.8 MB

*When ordering the download product from Big Fish Audio you will be given one or more links for each of your product purchases. The links will be active for 24 hours. During this time you should download the file and expand it. You can return to your Big Fish Audio account at any time and download your products. You will find your products in the "My Products" area of your account page.



License Agreement


The Following End User License Agreement is included with Ambient. This License is only valid for the individual who has purchased an unopened, new and lawfully made copy of Ambient from a dealer or distributor authorized by Big Fish Audio.

"ZERO-G LICENSE AGREEMENT 1. The sound samples included on this product remain the property of Zero-G Limited and are licensed, not sold, to you for use on your sampling software or equipment. 2. A right to use the enclosed sounds is granted to the original end-user of the product (Licensee) and is NOT transferable. 3. The Licensee may modify the sounds. and MAY USE THE SOUNDS FOR COMMERCIAL PURPOSES WITHIN MUSICAL COMPOSITIONS, subject to section 7 below. 4. This license expressly forbids resale, relicensing, or other distribution of these sound samples, either as they exist on the enclosed discs, or any modification thereof. You cannot assign, lease, lend, rent, upload or download to or from any database or server, or transfer any or all of the sound samples to another user, or use them in any competitive product. 5. Licensor will not be responsible if the sound samples do not fit the particular purpose of the Licensee. The sound samples are licensed 'as is' without warranties of any kind. Neither the Licensor, or any distributor of Licensor's products, can be held responsible for any direct, indirect, or consequential loss arising from the use of any sound samples licensed from Zero-G Limited in whatever form. 6. The Licensee may use these sound samples for Foley and sound FX in TV or movie soundtracks, video game soundtracks, gaming machines, or toys, but Licensee may not re-distribute the sounds as sounds, multi-sounds, samples, multi-samples, programs or patches – meaning the Licensee cannot re-sell them as part of a sound sample library of any kind thereby effectively competing against Zero-G. Note also that use of the sound samples in isolation in video game soundtracks, gaming machines, or toys where they appear in isolation or as sound effects as part of a music game or remixing game is not permitted without first obtaining a separate written License (subject to availability) from Licensor. 7. Use of the sound samples in 'library music' (also known as 'music libraries' or 'production music'), which is intended for commercial exploitation by relicensing to multiple third parties, is permitted PROVIDED that the samples are used within a musical context and are not presented isolated or 'solo-ed'. The sound samples must be used 'in combination' within musical compositions. For such usage, any rhythm loop samples (which Zero-G regards as being musical clips in themselves) must also be combined with other types of samples or sounds to effectively form a new composition, rather than simply being looped in isolation."


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