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Big Fish Audio + Funk/Soul Productions

The Vintage Bundle

A massive bundle of beautifully crafted instruments at an unbelievable price!
Vintage Bundle, The - A massive bundle of beautifully crafted instruments at an unbelievable price!
Sale
Style:
Funk
Related Styles:
R&B , Jazz , Rock , and Soul
Now $499.95
$799.80 $499.95
INCLUDED FORMATS:
Plug-in, Kontakt Player 5, Kontakt 5
  Please make a selection above
QUICK DETAILS:
  • Instrument
  • Sounds

Save $300 with the new ultimate vintage virtual library!

Big Fish Audio and Funk/Soul Productions are proud to present The Vintage Bundle!

This collection includes full versions of Vintage Strings, Vintage Horns, Vintage Vocals, and Vintage Rhythm Section. There is no better set of virtual instruments on the market to help nail that sweet vintage tone and vibe we all know and love. Now you can have all four best-selling instruments at an all-time low price!


VINTAGE HORNS

Vintage Horns is a horn section virtual instrument that gives you every instrument you need to emulate the classic horn section sounds of R&B, Soul, and Funk bands from the '60s and '70s. It is available for Kontakt Player 5 and as a ReFill for Reason 6.

As with its sister product, Vintage VI, the goal for Vintage Horns was not to create a shiny, perfect-sounding virtual instrument. Instead, we tried to capture the way horn sections sounded back in the 60s and 70s, including the minor imperfections that added character to those sections and made them sound so good.

Vintage Horns Interface

With Vintage Horns you can recreate the most popular horn section sounds of the '60s and '70s, including:

• The Memphis Soul horn section, which typically used a single trumpet  with one  tenor sax and
   occasionally a bari sax

• The famous horn section sound of the JBs, which featured trombone, trumpet, alto sax, tenor sax,
   and bari sax

• The classic big production sound of Detroit Soul

• The Philly Soul sound, with flutes and flugel horn

• And the powerful Oakland Soul sound, with bari sax, 2 tenor saxes, trombone, and two trumpet
   switching to flugel horns on ballads.



VINTAGE STRINGS



Vintage Strings is a virtual instrument for Kontakt 5 designed to emulate the classic violin string section sounds of R&B, Soul, and Funk records from the 1960's and 1970's. Whether you're an experienced arranger or casual producer, Vintage Strings was designed to make it quick and easy for you to create great sounding string tracks for your productions. Like its sister product, Vintage Horns, Vintage Strings was not designed to be a shiny, perfect sounding virtual instrument. Instead, we tried to capture the way string sections sounded back in the '60s and '70s; including the decidedly not classical playing style and minor imperfections that added character to those sections and made them sound so good.

For Vintage Strings we recorded a 6 piece violin section using vintage Neuman U-87 mics and Royer ribbon mics run through a great sounding SSL board. To capture a true vintage string sound, we used close mics, room mics, and string section positioning based on actual session notes from old Motown and Philly Soul recording sessions. Rather than record the violins in a magnificent concert hall or some other large and resonant recording space, we recorded our players in a funky old studio with a smaller, less-reverberant room that had characteristics similar to the rooms used to record classic Soul and R&B records. Using the tracks we recorded in this space, we then created three types of sections:

2 VIOLINS:

The 2VLN patches are very useful for creating the sound of smaller string sections. Even if played in 3-part harmony, these patches sound like a 6 piece section, rather than a full orchestral string section. The 2VLN patches take up a lot less sonic space in the mix, and also have the advantage of sounding like the smaller types of string sections used on a lot of old Soul and R&B records, which didn't have the time or budget to record a larger section.

6 VIOLINS:

The 6VLN patches are great for recording unison (1 part) lines that emulate the sound of a true 6 violin section, which was very commonly used in many old Soul recordings. When used for 2-part harmonies or octaves these patches can be used to replicate the sound of an overdubbed 6 violin section (i.e., a faux 12 violin section), which was a very common recording technique used on many Motown recording sessions.

12 VIOLINS:

The 12VLN patches are very useful for creating unison (1 part) string lines that sound like an overdubbed 6 violin section. If you want to get a bigger sound with the size of a larger orchestral string section, without the color and character present in a large recroding hall or symphonic space, use the patches for string parts in 2 or 3 part harmonies.

The result is a virtual instrument that has a sound and character that is distinctly different from orchestral based sampled string libraries. The sound of Vintage Strings is intentionally not big, rich, and glossy. It's a smaller, more intimate, and more "human" sound, which more accurately emulates the string sound on those classic old records.



FAST AND EASY STRING SECTION PARTS USING PRE-SET PATCHES

If you don't have a lot experience writing for strings, or even if you're an experienced string-arranger on a tight deadline, Vintage Strings also offers a number of pre-programmed instrument patches that can help you quickly create great sounding string parts. These include the Tonal Harmonization Patches, which contain 2 part, 3 part, and 4 part patches for 2, 6, and 12 violins. Playing with just one finger on your keyboard you can easily write string lines in 2 parts (intervals), 3 parts (triads), or 4 parts (seventh chords). Secondly, the Tonal Harmonization patches include Fixed Chord & Interval Patches containing 2 part, 3 part, and 4 part Chord Patches, for 2, 6, and 12 violins. These patches are programmed to play a specific interval or chord according to the type of patch in 12 different keys.

THE VINTAGE STRINGS GUI

The Vintage Strings graphical user interface (GUI) is very simple and easy to use. The main page of the interface includes control over tape saturation, high EQ, and reverb with 15 custom selected convolution reverbs.

Vintage Strings GUI 1

THE HARMONIZE PAGE

On the Harmonize page you can choose the key and scale of the interval or chord-based preset patches, or create custom interval and chord-based patches of your own.

Vintage Strings GUI 2




VINTAGE RHYTHM SECTION



Vintage Rhythm Section is a virtual instrument for Kontakt 5 designed to emulate the classic rhythm section sounds of R&B, Soul, Funk, Jazz, and Rock records from the 1960's and 1970's.

Vintage Rhythm Section (VRS) is easy to use, with a simple interface that lets you work quickly and intuitively. If you're producing retro or indie-style music on a budget, or if you're a TV or film composer working on a tight deadline, VRS can be used to create live-sounding drums, bass, guitar, keyboard, and percussion tracks.

CAPTURING THAT VINTAGE RHYTHM SECTION SOUND

Like its sister-products, Vintage Horns and Vintage Strings, Vintage Rhythm Section was not designed to be a shiny, perfect-sounding virtual instrument. Instead, we tried to capture the way rhythm sections sounded back in the 60's and 70's, including some of the minor imperfections that added character to those instruments and made them sound so good.

For VRS, we sampled a large collection of vintage instruments - some amazingly still in mint condition, and others looking every bit as "vintage" as you'd expect a piece of 40-50 year-old gear to look.

Wherever possible, we used the same types of amps and mics that were used in the 60's and 70's. Some of this old gear was pretty funky-sounding, which probably would have disqualified it from being used on most other types of sample libraries. But for VRS, it was just what we were looking for.



VINTAGE RHYTHM SECTION GUIs

VRS features two easy-to-use GUIs:

1) A 12-channel mixer for drums

2) The main GUI, which is used for all of the keyboards, basses, and guitars.

Here's a quick overview of both.

THE DRUM MIXER

Vintage Rhythm Section GUI 1


- Reverb Select: This is a drop-down menu that allows you to select various types of convolution IRs.

- Channel Strips: Each offers controls for Treble, Bass, Reverb Amount, Pan, and Solo/Mute. Note that not all kits have the same number of toms and cymbals. Instead, each kit was custom-built to fit the musical genre and era it came from.

- Master Channel: Allows you to add tape saturation (SAT) and/or compression (COMP) to the entire kit.

THE MAIN GUI

Vintage Rhythm Section GUI 1

From top to bottom and left to right, this GUI has the following controls:

- TAPE SAT adds tape-style saturation/compression

- TREBLE adds or cuts high end

- BASS adds or cuts low end

- DISTORTION SWITCH - use this to turn the effect on or off

- DISTORTION adds amp-style distortion

- DELAY controls the amount of tape-style delay

- DELAY SELECT allows you to choose from several types of delay

- ROTATOR SWITCH turs Leslie-style effect on or off

- ROTATOR allows you to select the speed of the Leslie-effect

- REVERB controls the amount of reverb added

- REVERB SELECT allows you to choose from a selection of high-quality Convolution Reverbs designed to replicate a number of vintage amp-reverbs and recording spaces

- MOD-WAH SWITCH turns on your controller's Mod Wheel as a wah-wah pedal

Key-Switches
Key-switching is a function that allows the user to quickly change from one articulation to another. If an instrument has any key-switch options, it will have red keys located on the far left of the Kontakt virtual keyboard. Many of the basses and guitars offer key-switched long and short (sustain and staccato) articulations, and some of the keyboards offer different key-switched presets.

VINTAGE VOCALS

Vintage Vocals is a virtual instrument designed to emulate the sound of the great female background singers who performed on so many classic vintage Funk, Soul, R&B, and Rock 'n' Roll records from the 1960s and 1970s. These talented women sang background for such artists like Stevie Wonder, Ray Charles, Diana Ross & The Supremes, Martha and the Vandellas, Patty LaBelle, Donna Summers, Ike & Tina Turner, the Rolling Stones, Lou Reed, David Bowie, and many more.

Vintage Vocals is an affordable, easy-to-use VI designed with a singular focus: to provide composers and producers with a set of the most commonly-used R&B background vocal-sounds and articulations - sung with a “live” feel and a whole lot of authentic vintage Soul.

Vintage Vocals GUI

Sounds and articulations include:
- Oohs, Ahs, and Ohs
- Sustains (long notes)
- Staccatos (short notes)
- Swells (crescendos, increasing in volume from soft to loud)

While there's no replacement for live singers, Vintage Vocals does its best to close the gap and works well when used to create harmonized background pads, unison lines, and accents. Also included are several pre-programmed chord patches that can be used to create three-part harmonized backgrounds by playing with just one finger.

Like the other products in the Vintage series, Vintage Vocals was not designed to be a perfect, pristine-sounding virtual instrument. Instead, our goal was to try to create a product that captured the character of those classic R&B
female background singers, including the stylistic quirks and minor imperfections that made them sound so good.

The three singers we recorded for this product - Angela Clemmons, Janice Dempsey, and Tiffany T'Zelle Wilson - have decades of experience recording and performing on countless R&B, Funk, Soul, and Gospel projects. They sing with the same kind of heart and Soul as the great background singers who provided the inspiration for this product. We thank them for the energy and talent that they brought to this project.
Note: Requires Kontakt 5.7.1+ or Kontakt Player 5.7.1+

VINTAGE HORNS

The Vintage Horns Kontakt Player version contains nine instruments patches, each with keyswitches to control Long notes, Short notes, Stabs, Falls, and Swells. For brass and reeds, we also included Sforzando samples. Also included are sixteen multis that give you access to pre-made sections to emulate the sound of classic horn sections and a few basic sections as well. Vintage Horns features nine multi-sampled brass and wood wind instruments:

Instruments

  • Alto Flute
  • Alto Sax
  • Baritone Sax
  • Flugelhorn
  • Soparano Flute
  • Tenor Sax
  • Soprano Sax
  • Tenor Sax
  • Trombone
  • Trumpet Mute
  • Trumpet Open

Multis

  • All Brass Section
  • All Flute Section
  • All Sax Section
  • Big Band Section
  • BS&T Jazz Rock Section
  • Detroit Soul Big Section
  • Detroit Soul Small Section
  • JBs Section
  • Memphis Soul Section
  • Oakland Soul Ballad Section
  • Oakland Soul Big Section
  • Philly Soul Ballad Section
  • Philly Soul Big Section
  • Retro Latin Big Band Section
  • Soul Jazz Section #1
  • Soul Jazz Section #2


The Vintage Horns reFill includes 53 NN-XT sampler patches, with five different articulations for all instruments: Long notes, Short notes, Stabs, Falls, and Swells. For brass and reeds, we also included Sforzando samples.




VINTAGE STRINGS

FEATURES:

• 3 group sizes: 2, 6, and 12 players
• Recorded with the highest quality vintage outboard gear
• 11 articulations
• Auto harmonization feature for impressively quick arranging
• Hand selected IR options available for the convolution reverb
• 5.1GB (uncompressed)
• Kontakt Player 5 included

COMPLETE PATCH LIST:

2-Violin Patches:
2VLN CHR = long articulations as the default, with key-switches for staccato, swells,
major & minor runs up and down, fall-offs, tremolo, harmonics, and pizzicato.


Single Articulation Patches:

• 2VLN CHR Sustain + Staccato
• 2VLN CHR Swells
• 2VLN CHR Fall-Offs
• 2VLN CHR Tremolo
• 2VLN CHR Harmonics
• 2VLN CHR Pizzicato

Fixed Harmonized Patches:

• 2VLN FXD 2-Part Major 3rds
• 2VLN FXD 2-Part Octaves
• 2VLN FXD 2-Part Minor 3rds
• 2VLN FXD 3-Part Major Triad
• 2VLN FXD 3-Part Minor Triad
• 2VLN FXD 3-Part Diminished Triad
• 2VLN FXD 3-Part Sus 4 Chord
• 2VLN FXD 4-Part Major 7th Chord
• 2VLN FXD 4-Part Minor 7th Chord
• 2VLN FXD 4-Part Dominant 7th Chord
• 2VLN FXD 5-Part Major 9th Chord
• 2VLN FXD 5-Part Minor 9th Chord
• 2VLN FXD 5-Part Dominant 9th Chord
• 2VLN FXD 5-Part Dominant 7th #9 Chord

Tonal Harmonized Patches:

• 2VLN TNL 2-Part 3rds
• 2VLN TNL 3-Part Triad
• 2VLN TNL 4-Part 7th Chord
• 2VLN TNL 5-Part 9th Chord

6-Violin Patches
6VLN CHR = long articulations as the default, with key-switch layers for staccato, swells,
major & minor runs up and down, fall-offs, tremolo, harmonics, and pizzicato.


Single Articulation Patches:

• 6VLN CHR Sustain + Staccato
• 6VLN CHR Swells
• 6VLN CHR Major Runs Up
• 6VLN CHR Major Runs Down
• 6VLN CHR Minor Runs Up
• 6VLN CHR Minor Runs Down
• 6VLN CHR Fall-Offs
• 6VLN CHR Tremolo
• 6VLN CHR Harmonics
• 6VLN CHR Pizzicato

Fixed Harmonized Patches:

• 6VLN FXD 2-Part Major 3rds
• 6VLN FXD 2-Part Minor 3rds
• 6VLN FXD 2-Part Octaves
• 6VLN FXD 3-Part Major Triad
• 6VLN FXD 3-Part Minor Triad
• 6VLN FXD 3-Part Diminished Triad
• 6VLN FXD 3-Part Sus 4 Chord
• 6VLN FXD 4-Part Major 7th Chord
• 6VLN FXD 4-Part Minor 7th Chord
• 6VLN FXD 4-Part Dominant 7th Chord
• 6VLN FXD 5-Part Major 9th Chord
• 6VLN FXD 5-Part Minor 9th Chord
• 6VLN FXD 5-Part Dominant 9th Chord
• 6VLN FXD 5-Part Dominant 7th #9 Chord

Tonal Harmonized Patches:

6VLN TNL 2-Part 3rds
6VLN TNL 3-Part Triad
6VLN TNL 4-Part 7th Chord
6VLN TNL 5-Part 9th Chord

12-Violin Patches
12VLN CHR = long articulations as the default, with key-switch layers for staccato, swells,
major & minor runs up and down, fall-offs, tremolo, harmonics, and pizzicato.


Single Articulation Patches:

• 12VLN CHR Sustain + Staccato
• 12VLN CHR Swells
• 12VLN CHR Major Runs Up
• 12VLN CHR Major Runs Down
• 12VLN CHR Minor Runs Up
• 12VLN CHR Minor Runs Down
• 12VLN CHR Fall-Offs
• 12VLN CHR Tremolo
• 12VLN CHR Harmonics
• 12VLN CHR Pizzicato

Fixed Harmonized Patches:

• 12VLN FXD 2-Part Major 3rds
• 12VLN FXD 2-Part Minor 3rds
• 12VLN FXD 2-Part Octaves
• 12VLN FXD 3-Part Major Triad
• 12VLN FXD 3-Part Minor Triad
• 12VLN FXD 3-Part Diminished Triad
• 12VLN FXD 3-Part Sus 4 Chord
• 12VLN FXD 4-Part Major 7th Chord
• 12VLN FXD 4-Part Minor 7th Chord
• 12VLN FXD 4-Part Dominant 7th Chord
• 12VLN FXD 5-Part Major 9th Chord
• 12VLN FXD 5-Part Minor 9th Chord
• 12VLN FXD 5-Part Dominant 9th Chord
• 12VLN FXD 5-Part Dominant 7th #9 Chord

Tonal Harmonized Patches:

• 12VLN TNL 2-Part 3rds
• 12VLN TNL 3-Part Triad
• 12VLN TNL 4-Part 7th Chord
• 12VLN TNL 5-Part 9th Chord

Minimum System Requirements

Mac: Intel Core Duo, 2GB of RAM, and OS 10.7.x or later. For optimum performance, Big Fish Audio recommends a 2.0GHz processor or faster. The library requires 5.1GB of free hard drive space.

Windows; Windows 7 or Windows 8 (latest Service Pac, 32/64 Bit) Intel Core Duo or AMD Athlon 64, and 2GB of RAM. For optimum performance, Big Fish Audio recommends a 2.0GHz processor or faster. The library requires 5.1GB of free hard drive space.




VINTAGE RHYTHM SECTION

- 67 Instrument Patches

- 19 Multi Patches

- Over 16.4 GB of uncompressed WAV data (7.4 Compressed)

- Instruments are divided into 3 categories:

R&B:
- R&B Basses
- R&B Drums
- R&B Guitars
- R&B Keyboards
- R&B Percussion

Jazz:
- Jazz Basses
- Jazz Drums
- Jazz Guitars
- Jazz Keyboards
- Jazz Percussion

Rock:
- Rock Basses
- Rock Drums
- Rock Guitars
- Rock Keyboards


Complete Patch List

The instruments in VRS are organized into three main Style Folders, which contain the following instrument patches:

R&B Instruments

R&B Basses:
- 70s Funk Bass
- Bright R&B Bass
- Slap Bass
- Slap Wah Bass
- Soul Bass Mutes

R&B Drum Kits
- 60s Motown Kit
- 70s R&B Kit
- 70s Tight Funk KIt
- Retro Soul Kit

R&B Guitars
- 70s Funky Telecaster
- Funk-Soul Wah Rhythm Guitar
- Mod-Wah Soulful Strat
- Philly Soul Electric Sitar
- Psychedelic Soul Lead Guitar

R&B Keyboards
- Clean Hohner D6 Clavinet
- Funk Wah Clavinet
- Funky Amped Rhodes
- Gritty Hohner D6 Clavinet
- Hammond Gospel Organ
- Retro Soul Vibes
- Warm Wurlitzer
- Wurlitzer Vibrato

R&B Percussion
- R&B Bongos
- R&B Congas
- R&B Hand Percussion

Jazz Instruments

Jazz Basses
- 70s Jazz-Rock Bass
- Fusion Slap Wah Bass
- Upright Bass

Jazz Drums KIts
- 60s Soul Jazz Kit
- 70s Fusion Kit
- Vintage Jazz Brush Kit
- Vintage Jazz Stick Kit

Jazz Guitars
- Clean Jazz Guitar
- Gritty Jazz Guitar

Jazz Keyboards
- Rhodes Clean Jazz
- Rhodes Fusion Amped
- Soul Jazz Hammond B3
- Vintage Jazz Upright Piano
- Vintage Jazz Vibes

Jazz Percussion
- Soul Jazz Bongos
- Soul Jazz Congas

Rock Instruments

Rock Basses
- 60s Hagstrom Rock Bass
- 60s Rickenbacker Rock Bass
- Psychedelic Fuzz Bass
- Surf Rock Bass
- Univox Picked Rock Bass

Rock Drum Kits
- 60s Surf Rock Kit
- 70s Prog Rock Kit
- Brit Rock Kit
- Classic Rock Kit

Rock Guitars
- 12-String Rickenbacker
- 68 Les Paul Clean
- 68 Les Paul Classic Rock
- 70s Fuzz Lead Guitar
- Clean Tremolo Surf Guitar
- Dirty Tremolo Surf Guitar
- Flower Power Guitar
- Martin Acoustic Guitar
- Psychedelic Electric Sitar
- Woodstock Lead Guitar

Rock Keyboards
- 60s Farfisa Organ
- 60s Vox Continental
- Bubblegum Rock Organ
- Hammond B3 Organ 01
- Hammond B3 Organ 02
- Hammond B3 Organ 03
- Wurlitzer Amped

Complete List Of Multis

- Brit Rock Rhythm Section 01
- Brit Rock Rhythm Section 02
- Bubblegum Rock Rhythm Section
- Classic Rock Rhythm Section
- Detroit Soul Ballad Rhythm Section
- Detroit Soul Rhythm Section
- Funkedelic Rhythm Section
- Jazz Fusion Rhythm Section
- Jazz Rock Rhythm Section
- Oakland Soul Rhythm Section
- Philly Soul Rhythm Section
- Prog Rock Rhythm Section
- Psychedelic Rock Rhythm Section
- Psychedelic Soul Rhythm Section
- Retro-Disco Rhythm Section
- Soul Jazz Rhythm Section
- Surf Rock Rhythm Section
- Vintage Jazz Ballad Rhythm Section
- Vintage Jazz Rhythm Section




VINTAGE VOCALS



KEYSWITCHES
The keys marked in red on Kontakt's virtual keyboard are known as key-switches. By pressing a key-switch, you can change from one vocal sound and articulation, to another - for example, from Oohs Sustains to Oohs Staccatos, Ahs Swells, or Ohs Sustain (the default for all vocal patches).

The patches designated as “All Articulations” contain all three vowel sounds and all three articulations, as follows:

- B1 = Ah Sustain (the default setting for all patches)
- A#1 = Ah Staccato
- A1 = Ah Swell
- G#1 = Oh Sustain
- G1 = Oh Staccato
- F#1 = Oh Swell
- F1 = .Ooh Sustain E1 = Ooh Staccato
- D#1 = Ooh Swell

Note that the Sustains patches in Vintage Vocals use just a single articulation (Sustains), with all three three vowel-sounds. Key-switches for these patches are as follows:

- B1 - Ah Sustain
- Bb1 - Oh Sustain
- A1 - Ooh Sustain

For single-patches and Multis, the active key-switch will be yellow in color.


PATCH LIST

Angela
One singer, includes all 3 vowel sounds and all articulations

Janice
One singer, includes all 3 vowel sounds and all articulations

Tiffany
One singer, includes all 3 vowel sounds and all articulations

3 Girls Sustains Unison:
All three singers, singing in unison. Includes all vowel-sounds, with just the Sustain articulation. This patch works great for creating triple-tracked unison lines or vocal pads.

3 Girls Sustains Major Chord:
All three singers, harmonized in major chords. Includes all vowel-sounds, with just the Sustain articulation. Played with one finger, this patch can be used to easily create triple-tracked major chord background parts.

3 Girls Sustains Minor Chord:
All three singers, harmonized in minor chords. Includes all vowel-sounds, with just the Sustain articulation. Played with one finger, this patch can be used to easily create triple-tracked major chord background parts.

MULTIS PATCHES

3 Girls True Multi All Articulations:
Each singer has a separate instrument-patch, and each patch is on a different MIDI channel. The three are singing in unison, and all vowel-sounds and articulations are included.

3 Girls Major Chord All Articulations:
Each singer has a separate instrument-patch, but all are on the same MIDI channel. Each voice is assigned one part in the harmonized major chord, and all vowel-sounds and articulations are included.

3 Girls Minor Chord All Articulations:
Each singer has a separate instrument-patch, but all are on the same MIDI channel. Each voice is assigned one part in the harmonized minor chord, and all vowel-sounds and articulations are included.

3 Girls Unison All Articulations:
Each singer has a separate instrument-patch, but all are on the same MIDI channel; all are singing in unison, and all vowel-sounds and articulations are included.






License Agreement


The Following End User License Agreement is included with Vintage Bundle, The. This License is only valid for the individual who has purchased an unopened, new and lawfully made copy of Vintage Bundle, The from a dealer or distributor authorized by Big Fish Audio.

"End User License Agreement: The samples contained herein are licensed, not sold to you, the individual end user, by Big Fish Audio. This non-exclusive, non-transferable license is granted only to the individual end user who has purchased an unopened, new and lawfully made copy of this product from a dealer or distributor authorized by Big Fish Audio. All samples remain the property of Big Fish Audio and are licensed only for use in the creation of a live or recorded performance that includes the licensed samples as part of a derivative musical work created by the licensed end user. This license expressly forbids resale, rental, loan, gift or transfer of these samples in any format or via any medium, except as part of a derivative musical work. The samples may not be included, whether unmodified or as part of a derivative work, in any sample library product. Any unlicensed usage will be prosecuted to the maximum extent possible under the law."


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